Circular Economy: Material Flows and Sustainable Materials – Practical Applications


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2.15

Organic Architecture: Frank Lloyd Wright’s Fallingwater

Frank Lloyd Wright pioneered Organic Architecture in the early 1900s, defining it as a philosophy where the structure, the landscape, and human life form a single, unified ecosystem. Wright articulated this as ‘Part-to-Whole-as-Whole-is-to-Part’, meaning every element, from materials to furnishings, is integral to the entire site and structure.

The building must appear to ‘grow easily from its site’, reflecting the true nature of its materials and seamlessly integrating form and function with nature. His 1935 masterpiece, Fallingwater, perfectly embodies this philosophy, making the house, stream, and landscape one unified composition.

This video provides a longer introduction to the design philosophy and Fallingwater.

 

Material Truth and Local Circularity

The philosophy of Organic Architecture does in many ways connect to modern-day circularity principles, particularly concerning material sourcing and embodied energy. By insisting that materials reflect their ‘truth’, Wright inherently aligns with different sustainable practices:

  • Local Sourcing: In projects like Fallingwater, the stone quarried nearby and the timber sourced regionally minimized transportation needs, directly reducing the building’s embodied carbon footprint – a core goal of circular construction today. This commitment to local, readily available materials is a powerful model for decentralised circular loops.
  • Material Honesty: Wright favoured natural, unpainted materials like local stone and natural wood, allowing the building to weather and age gracefully. This concept rejects synthetic, energy-intensive finishes and supports Emotional Durability—creating buildings that users value and want to maintain over time, thereby ensuring longevity.
  • Biomimicry and Passive Design: By studying the site’s natural flow, geology, and climate, Wright’s designs often integrated passive heating, cooling, and natural light. Designing the structure to work with its environment rather than against it reduces operational energy demand, completing the resource-efficiency loop started by local material sourcing.

In essence, Organic Architecture is an early, highly successful demonstration of designing systems (buildings) to harmonise with, and be replenished by, their surrounding ecological and material cycles.

 

Further reading, learning and references

Graff, S. (2018). Organic Architecture and the Sustaining Ecosystem. Frank Lloyd Wright Foundation https://franklloydwright.org/organic-architecture-and-the-sustaining-ecosystem/

Western Pennsylvania Conservancy – Fallingwater https://fallingwater.org/

Wright, F. L. (1939). An Organic Architecture: The Architecture of Democracy

 

© Daniel Mossberg, CEMUS, Uppsala University and Sonali Phadke, studio Alternatives and Stephanie Foote